Reviews

Nature’s apostate: on Gianna Bentivenga’s Mutamenti

Bentivengas shapes are alive: their transformations enact the fictional passage of time and movement.

To vanish, to perish and yet to abide

Her work is a constant striving to give a shape to the simulacrum: nothing to do with immanence, less still with a thought.

Anamorfica

In Anamorfica, Gianna Bentivenga continues her dialogue with the idea around which she builds her work: the gradual leading of forms—or rather, Form—to dissolution.